ABSTRACT
Discourse concerning the Atlanta Spa Shootings, which happened around the time that this issue first started to come together in March of 2021, has renewed the urgency of thinking about performance and feminism together.1 Given that this issue's publication roughly coincides with the first anniversary of those murders, the violent events in Atlanta have loomed in the background of the editorial process. [...]although the essays in this issue address quite distinct forms of performance and paratheatrical phenomena from state surveillance to fan groups to online participatory audiences, all of the essays use feminist methodologies either explicitly or implicitly. [...]this editorial highlights some of their convergences to think through how the interventions of each author might speak to a feminist knowledge project that is critical in this historical moment. Fans watch events transpire in Wanda's magically created world, which is itself surveyed in the narrative by an extra-governmental agency (elaborated in the comic books if not so much in the television miniseries itself);these source materials give Wanda and Vision their names and provide many backstories for the roster of secondary characters. Barnette suggests that the series also provided a platform to see the ethical conundrums of real-life individuals whose positions of power grant their words authority;witness former president Donald Trump inciting the attack on the Capitol.